go to shoping basket
Empty
Slightly Brown

slightly brown, your vinyl record cutting engineer

 
Over 35 years in the music industry:
  • Hit record recording engineer.
  • Power amp & speaker manufacture.
  • Film sound recordist.
  • Dubbing theatre engineer.
  • Acoustic designer.
  • Recording studio design.
  • Acoustic treatment manufacturer.
  • Commercial sound system installer.
  • PA system designer & installer.
  • Vinyl record cutting.
  • Audio system correction & optimisation.
  • Home cinema acoustics & electronics.
  • Public space acoustics.
  • Place of worship audio systems & acoustics.
  • And much much more.

Although not musical in the "read, write & perform" sense, there is a deep appreciation of music, and a deep understanding of how music & "sound" can affect us physiologically and emotionally. And, thereby lies the quest. "To get the most musicality, emotionality, detail and weight out of each and every performance committed to vinyl, raising pulse rates and sending shivers up spines!.

Clients include:

Corporate
Classic cinema chain. Tape gallery. MCA records. De-Lane-Lea sound centre. What hi-fi magazine. Tag Mclaren audio. Acoustic energy. Mercedes GP / Honda F1. Partners BDDH. Cadogan Hall / Royal Philharmonic Orchestra. BP/ El-Gassi oil field. Royal northern college of music. Several churches & several private studios.

Private
Chris Rea. Level 42. Alan Darby. Gary Kemp. Felix Dennis & many other owners of private studios, cinemas and audio systems who wish to remain "private".

See the photo gallery



FIRSTS:
1974 Worked on the first Grammy award winning hit single to go No 1 in the UK & USA at the same time.
1986 Developed “phase related rear channel generation” for night clubs and discotheques. The natural progression of which would have been something along the lines of “pro-logic” the pre digital home cinema surround sound system. Which was indeed realised the very next year by Dolby.
1989 Bi-Wire modifications, bi-wiring and bi-amping of recording studio monitors. A technique un heard of in professional audio, but just emerging in Hi-Fi circles.
1993 Developed RaTs (resonant adjustable trap system) to combat acoustical bass end irregularities in listening rooms. Now an everyday manufactured product used in studios, cinemas concert halls, churches etc.
1998 Onset of regular use of valve amplification in PA and sound reinforcement systems. Despite the fact “it can’t be done”.
2000 Developed the “Fly by wire” computer model method of acoustic design.
Enabling a new era of time and cash economy with extreme design and forecast accuracy.
2008 Regular use of additional super-tweeters on commercial & home audio systems


 


 
 
        sitemap     dubplates     music presents     music gifts     dubplates info     vinyl cutting